olga anacka

About


Olga Anacka was born in Poland where she studied visual arts specialising in painting, graphic, sculpture, and art teaching. She graduated from University of the Arts in Poznan in 2004 and later was shortlisted in Olsztyn Art Biennial 2005, Celeste Prize 2011 and 2012, not exhibiting much after due to personal situation. Since 2006 Olga lives in Ireland.

In her work, Olga expresses feelings and thoughts about experiencing the real. The perception is limited by the intellectual associations built upon societal codes and values. Thus, she calls her painting style an abstract symbolism which is rooted in nature and Slavic heritage. She uses stencils and screen-printing techniques which allows her freely manipulate shape references when designing the scene. In doing so, she explores the options and creates metaphysical worlds.

Asking what is real, Olga sometimes challenges the notion of an art piece, e.g. Flock in the Cocoon series.

To read more about Olga's works, please visit texts section.







Shoebox project

ON THE RIVER BANK

mixed media on A3 320mgs papier / 2021

OLD FRIEND

mixed media on A3 320mgs papier / 2021

AUTUMN STUDY

mixed media on A3 320mgs papier / 2021

BEFORE THE STORM

mixed media on A3 320mgs papier / 2022

WINTER SUN

mixed media on A3 320mgs papier / 2022

FLOATING

mixed media on A3 320mgs papier / 2021

WINTER ON THE ISLAND

mixed media on A3 320mgs papier / 2021

WINTER STUDY

mixed media on A3 320mgs papier / 2022

Nomadic series

UPHILL WALK

acrylic on wooden board, 40x50cm / 2022

INTO THE NIGHT

acrylic on wooden board, 30x40cm / 2020

THERE IS ALWAYS A HIGHER MOUNTAIN TO CLIMB

acrylic on wooden board, 30x30cm / 2020

ARGUMENT

screenprint monotype and spray paint, 40x43cm / 2020

BALANCING IN MALAGA

acrylic on wooden board, 40x50cm / 2020

BALANCING IN MALAGA

street installation / 2021

BETTER DAYS

acrylic and spray paint on canvas, 98x98cm, street installation / 2021

CRAVING FOR HAPPINES

acrylic and spray paint on canvas, 95x68cm / 2021

CRAVING FOR HAPPINES

street installation / 2021

RIDERS IN THE NIGHT - KOLĘDNICY

acrylic on canvas, 95x98cm / 2021

ENCHANTED MOUNTAIN

acrylic and spray paint on canvas, 55x85cm / 2021

NIGHTLY FLOATING - LEVITATION

acrylic, inks, spray paint on canvas, 60x60cm / 2021

THE BOND

acrylic and spray paint on canvas, 95x68cm / 2021

THERE IS ALWAYS A WAY

screenprint monotype and acrylic on wooden board, 40x50cm / 2020

TURONIE I

acrylic and spray paint on wooden board, 40x50cm / 2021

TURONIE II

acrylic and spray paint on wooden board, 40x50cm / 2021

Cocoons

ME < MATERNITY project

NEST

textile, 25x25x25cm / 2012

NEST

textile, 25x25x25cm / 2012

BEAUTIFUL CREATURE

screenprint monotype, 40x45cm / 2019

LAVA FLOW

screenprint monotype on fabriano paper, 40x40cm / 2019

BLOB

plastic lenses, 55x35x35cm / 2013

FLOCK

drawing and animal hair installation, 80x50cm / 2015

FLOCK detail

drawing and animal hair installation, 80x50cm / 2015

SOAP BUBBLE

plastic lenses, 60x40x40cm / 2012

SOAP BUBBLE

plastic lenses, 60x40x40cm / 2012

UPHOLSTERY

textile, 90x75x80cm / 2012

COCOONS

installation / 2012

PINKY PROMISE

textile / 2011

QUIET COMPANION

screenprint monotype / 2019

ETHEREAL

textile, 25x60x25cm / 2010

YELLOW JOY

pastel, inks and industrial pain on textile, 120x200cm / 2012

MADE IN IRELAND

textile, 36x36cm / 2010

UNDERWATER

screenprint monotype, 40x40cm / 2019

UNDERWATER detail

screenprint monotype, 40x40cm / 2019

PUPA

textile, 120x50x60cm / 2011

PUPA, installation

textile, 120x50x60cm / 2011

REPULSIVE, installation

textile, 50x50x60cm / 2010

THE TREE OF KNOWLEDGE

screenprint monotype and collage, 40x30cm / 2019

Texts


Pause_ _ _ notes from the shoebox

I have a special shoebox in my studio where I keep small but not always quick works I am creating to relax, unwind, and make notes on concepts when more complex pieces at a time are impossible to finish. This is my pause time after too much tension in the process which allows me to foster mental engagement in the visual arts practice. The continuity of creative thinking makes a condition to grow as an artist. Gradually, these records have become 'a thing' themselves forming a body of work I would like to further develop.

The themes are influenced by surrounding me landscape in Co. Kildare, Ireland, which I admire having long walks. I feel immense connection to nature which I transcribe into visual impressions possible to read also as a journal of varied moods.


ME < MATERNITY project – series of feminine cocoons

When I was a child, all around was magical and undefined. Women of my childhood were always busy with crafty works, especially a grandma who was a tailor. She passed her skills to 3 daughters, so I am used to having scraps of materials popped in corners of a house, also colourful threads and buttons laying everywhere. Women in my family came easily from stirring meal to sewing, knitting, embroidering, composing flowers and so on. The work was left at their fingertips, waiting to go on with it. So is my art nowadays.

This body of work was created in a span of 8 years during winter stormy nights, which are very common in the area where I dwell. I had young children at that time. I felt enormous solitude because of living in a foreign country, taking any odd jobs to survive, in general being stuck in the house. This feeling shaded another - the need to care for and protect my family.

In the process of creation, I referred to old craftsmanship, in particular house-holding works carried by woman in the old days to feel safe and in the right place again.